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                            [identifier] => oai:infonomy.scimagoepi.com:article/136
                            [datestamp] => 2026-05-26T08:49:42Z
                            [setSpec] => infonomy:Research
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                                    [title] => Array
                                        (
                                            [0] => Inclusión forzada, tokenismo y cultura de cancelación en la industria cinematográfica contemporánea
                                            [1] => Forced inclusion, tokenism, and cancel culture in the contemporary film industry
                                        )

                                    [creator] => Array
                                        (
                                            [0] => Vidal-Mestre, Montserrat
                                            [1] => Freire-Sánchez, Alfonso
                                        )

                                    [subject] => Array
                                        (
                                            [0] => Forced Inclusion
                                            [1] => Tokenism
                                            [2] => Cancel culture
                                            [3] => Film
                                            [4] => Serial TV
                                            [5] => Whitewashing
                                            [6] => Race-swapping
                                            [7] => Inclusión forzda
                                            [8] => Tokenismo
                                            [9] => Cultura de cancelación
                                            [10] => Cine
                                            [11] => Series
                                            [12] => Blanqueamiento cultural
                                            [13] => Race-swapping
                                        )

                                    [description] => Array
                                        (
                                            [0] => This article examines the dynamics of forced inclusion, tokenism, and cancel culture in contemporary audiovisual culture from a sociological perspective. Focusing on widely discussed case studies such as The Little Mermaid, The Rings of Power, James Bond, and The Queen’s Gambit, it explores how diversity is represented, negotiated, and contested within today’s screen industries, as well as the strategies adopted by major international production companies in response to changing cultural expectations. The analysis shows that, although these texts seek to address growing demands for inclusivity, they often give rise to tokenistic forms of representation or to controversies that culminate in processes of public backlash and cancellation. The study identifies persistent tensions between the pursuit of broader diversity and the polarized responses of audiences, suggesting that forced inclusion and tokenism may weaken the perceived authenticity of cultural discourse. It further argues that cancel culture, rather than fostering substantive debate, may constrain both creative freedom and narrative complexity. Finally, the article proposes a set of critical criteria for avoiding tokenism in the film industry.
                                            [1] => Este artículo analiza las dinámicas de inclusión forzada, tokenismo y cultura de cancelación en la cultura audiovisual contemporánea desde una perspectiva sociológica. A partir de casos mediáticos como las producciones La Sirenita, Los Anillos de Poder, James Bond y Gambito de Dama, se examina cómo la representación de la diversidad es percibida en estas industrias y las diferentes estrategias que emplean las productoras internacionales. El análisis revela que, aunque estas obras intentan responder a demandas de inclusión, a menudo incurren en tokenismo o desatan controversias que derivan en políticas de cancelación. Se observan dicotomías entre la búsqueda de una mayor diversidad y las reacciones polarizadas del público, lo que sugiere que la inclusión forzada y el tokenismo pueden erosionar la autenticidad del discurso cultural. Asimismo, se señala que la cancelación, lejos de promover un debate constructivo, puede limitar la creatividad y complejidad narrativa de estas producciones y, finalmente, se aportan elementos para evitar caer en el tokenismo en la industria cinematográfica.
                                        )

                                    [publisher] => Ediciones Profesionales de la Información S.L. (EPI SL)
                                    [date] => 2026-05-26
                                    [type] => Array
                                        (
                                            [0] => info:eu-repo/semantics/article
                                            [1] => info:eu-repo/semantics/publishedVersion
                                        )

                                    [format] => application/pdf
                                    [identifier] => Array
                                        (
                                            [0] => https://infonomy.scimagoepi.com/index.php/infonomy/article/view/136
                                            [1] => 10.3145/infonomy.26.014
                                        )

                                    [source] => Array
                                        (
                                            [0] => Infonomy; Vol. 4 No. 3 (2026): Evolution of Communication
                                            [1] => Infonomy; Vol. 4 Núm. 3 (2026): Evolución de la Comunicación
                                            [2] => 2990-2290
                                        )

                                    [language] => es
                                    [relation] => https://infonomy.scimagoepi.com/index.php/infonomy/article/view/136/180
                                    [rights] => Array
                                        (
                                            [0] => Copyright (c) 2026 Montserrat Vidal-Mestre, Alfonso Freire-Sánchez
                                            [1] => https://creativecommons.org/licenses/by/4.0
                                        )

                                )

                        )

                )

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