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    [0] => stdClass Object
        (
            [journal] => stdClass Object
                (
                    [id_jnl] => 119
                )

        )

    [1] => stdClass Object
        (
            [section] => stdClass Object
                (
                    [section] => 2173
                )

        )

    [2] => stdClass Object
        (
            [title] => Array
                (
                    [0] => Robert Capa the concerned photographer: analysis of the photograph The Falling Soldier and its localization@en
                    [1] => Robert Capa el fotógrafo comprometido: análisis de la fotografía Muerte de un miliciano y su localización@es
                )

        )

    [3] => stdClass Object
        (
            [abstract] => Array
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                    [0] => The photograph The Falling Soldier is the paradigm for investigating the differences between reality and the ability of photography to represent it. In this article we take an exhaustive look at this image, which has been considered the best war photograph ever made and which, in turn, has generated controversy over its authenticity or staging. Despite the evidence demonstrated in various publications, both the International Center of Photography and the Magnum Agency have shown no interest in these contributions that have resolved the controversy. The silent attitude of the Magnum Agency is worrying because it is the advocate of the importance of photography in improving social justice and the general welfare of society. The attitude of the International Center of Photography is similar because when new evidence is published that tips the balance towards staging, they respond that further research is still needed. This article proves beyond doubt that The Falling Soldier was a staged photograph.@en
                    [1] => La fotografía Muerte de un miliciano es el paradigma para investigar las diferencias entre la realidad y la capacidad de la fotografía para su representación. En este artículo se hace un recorrido exhaustivo sobre esta imagen que ha sido considerada como la mejor fotografía de guerra jamás realizada y que, a su vez, ha generado una polémica sobre su autenticidad o escenificación. A pesar de las evidencias demostradas en varias publicaciones, tanto International Center of Photography como la Agencia Magnum, no muestran ningún interés por estas aportaciones que han resuelto la polémica. La actitud silenciosa de la Agencia Magnum es preocupante porque es el paladín que defiende la importancia de la fotografía para mejorar la justicia social y el bienestar general de la sociedad. La actitud de International Center of Photography es similar porque cuando se publican las nuevas evidencias que inclinan la balanza hacia la escenificación, responden que todavía hay que seguir investigando. En este artículo se demuestra sin lugar a dudas que Muerte de un miliciano fue una fotografía escenificada.@es
                )

        )

    [4] => stdClass Object
        (
            [author] => Array
                (
                    [0] => Jose Manuel Susperregui Echeveste
                )

        )

    [5] => stdClass Object
        (
            [subject] => Array
                (
                    [0] => Robert capa@en
                    [1] => Spanish civil war@en
                    [2] => Fotojournalisme@en
                    [3] => Cuckoo hill@en
                    [4] => Studium@en
                    [5] => Robert capa@es
                    [6] => Guerra civil española@es
                    [7] => Fotoperiodismo@es
                    [8] => Cerro del cuco@es
                    [9] => Studium@es
                )

        )

    [6] => stdClass Object
        (
            [source] => stdClass Object
                (
                    [vol] => 33
                    [nr] => 1
                    [year] => 2023
                    [theme] => 
                )

        )

    [7] => stdClass Object
        (
            [datePub] => Array
                (
                    [0] => 2023-06-21
                )

        )

    [8] => stdClass Object
        (
            [DOI] => Array
                (
                    [0] => stdClass Object
                        (
                            [type] => DOI
                            [value] => Array
                                (
                                    [0] => 10.5209/rgid.80470
                                )

                        )

                )

        )

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                            [type] => HTTP
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                                    [0] => https://revistas.ucm.es/index.php/RGID/article/view/80470
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                    [1] => stdClass Object
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                            [type] => HTTP
                            [value] => Array
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                                    [0] => https://revistas.ucm.es/index.php/RGID/article/view/80470/4564456565995
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        )

    [10] => stdClass Object
        (
            [language] => Array
                (
                    [0] => es
                )

        )

    [11] => stdClass Object
        (
            [license] => Array
                (
                    [0] => stdClass Object
                        (
                            [@xml:lang] => es-ES
                            [#text] => Derechos de autor 2023 Revista General de Información y Documentación
                        )

                )

        )

)