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            [journal] => stdClass Object
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                    [id_jnl] => 119
                )

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    [1] => stdClass Object
        (
            [section] => stdClass Object
                (
                    [section] => 2173
                )

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    [2] => stdClass Object
        (
            [title] => Array
                (
                    [0] => Illuminated postcards, image of the frivolous. Influence of the French theater in the Spanish stages of the early twentieth century@en
                    [1] => Postales iluminadas, imagen de lo frívolo. Influencia del teatro francés en los escenarios españoles de principios del siglo XX@es
                )

        )

    [3] => stdClass Object
        (
            [abstract] => Array
                (
                    [0] => Illuminated cupletistas postcards in fin-de-siecle Spain represent a singular phenomenon with the production of millions of copies distributed within and across borders. Eclipsed by the normalization of black and white photography officially accepted as “artistic photography” and relegated to oblivion by social morality, the colored cupletistas postcards exercised an essential social function in the impulse of the process of change that the Spanish society was living in between centuries. After identifying the extensive production of cupletists´ postcards that constituted the major channel of economic income of the Spanish photographic studios at the beginning of the century, we first analyze the causes of the generalized use of rudimentary techniques of color application on the positive black and white image, to the detriment of other more sophisticated and innovative techniques such as photochrome. This leads us to analyze the social and cultural context in which the photographic document develops and the social function acquired by the cupletistas postcard to understand that the use of this rudimentary technique responds to the need for an agile and economical process that facilitates mass production, as well as the intentionality of a creative process closer to the “artistic intervention” than to the mere application of color. This intention interferes with and modifies the narrative of the cupletistas postcard and reinforces its use as a tool for the promotion of the modernization process that fin-de-siecle Spain was undergoing.@en
                    [1] => Las tarjetas postales de cupletistas en la España finisecular, representan un fenómeno singular con la producción de millones de ejemplares que se distribuyen dentro y fuera de las fronteras. Eclipsadas por la oficialidad de la fotografía artística en blanco y negro, y relegada al olvido por la moral tradicional, las postales de cupletistas coloreadas ejercieron una función social esencial en el impulso del proceso de cambio que vivía la sociedad española en el entre siglos. Tras identificar la extensa producción de postales de vedettes, que constituyen el mayor canal de ingresos económicos de los estudios de fotografía españoles de principio de siglo, se analizan primero las causas del uso generalizado de técnicas rudimentarias de aplicación del color sobre la imagen positiva en blanco y negro, en detrimento de otras técnicas más sofisticadas e innovadoras como es el fotocromo. Esto nos lleva a analizar el contexto social y cultural en el que se desarrolla el documento fotográfico y la función social que adquiere la postal para comprender que el uso de esa técnica rudimentaria responde a la necesidad de un proceso ágil y económico que dé respuesta a la producción masiva, así como a la intencionalidad de un proceso creativo más próximo a la intervención artística que a la mera aplicación del color. Esta intención interfiere y modifica la narrativa de la postal de cupletistas y refuerza su posición como herramienta para el impulso de la modernización que vive España.@es
                )

        )

    [4] => stdClass Object
        (
            [author] => Array
                (
                    [0] => Susana Oñoro Barba
                )

        )

    [5] => stdClass Object
        (
            [subject] => Array
                (
                    [0] => Photography@en
                    [1] => Postcard@en
                    [2] => Intervened photography@en
                    [3] => Cupletista@en
                    [4] => Fin-de-siecle spain@en
                    [5] => Spanish dance@en
                    [6] => Fotografía@es
                    [7] => Tarjeta postal@es
                    [8] => Fotografía intervenida@es
                    [9] => Cupletista@es
                    [10] => España finisecular@es
                    [11] => Danza española@es
                )

        )

    [6] => stdClass Object
        (
            [source] => stdClass Object
                (
                    [vol] => 35
                    [nr] => 1
                    [year] => 2025
                    [theme] => 
                )

        )

    [7] => stdClass Object
        (
            [datePub] => Array
                (
                    [0] => 2025-07-15
                )

        )

    [8] => stdClass Object
        (
            [DOI] => Array
                (
                    [0] => stdClass Object
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                            [type] => DOI
                            [value] => Array
                                (
                                    [0] => 10.5209/rgid.103820
                                )

                        )

                )

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                                    [0] => https://revistas.ucm.es/index.php/RGID/article/view/103820
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                    [1] => stdClass Object
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                            [type] => HTTP
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                                    [0] => https://revistas.ucm.es/index.php/RGID/article/view/103820/4564456573634
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                    [2] => stdClass Object
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                            [type] => HTTP
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                                    [0] => https://doi.org/10.5433/1984-7939.2020v16n29p212
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        )

    [10] => stdClass Object
        (
            [language] => Array
                (
                    [0] => es
                )

        )

    [11] => stdClass Object
        (
            [license] => Array
                (
                    [0] => stdClass Object
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                            [@xml:lang] => es-ES
                            [#text] => Derechos de autor 2025 Revista General de Información y Documentación
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