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    [0] => stdClass Object
        (
            [journal] => stdClass Object
                (
                    [id_jnl] => 117
                )

        )

    [1] => stdClass Object
        (
            [section] => stdClass Object
                (
                    [section] => 2089
                )

        )

    [2] => stdClass Object
        (
            [title] => Array
                (
                    [0] => Performance art, rebel files and critical fossils@en
                    [1] => Performance arte, arquivos rebeldes e fósseis críticos@pt
                )

        )

    [3] => stdClass Object
        (
            [abstract] => Array
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                    [0] => This critical essay deals with general aspects of performance in the visual arts environment, its process of objectification/fossilization and commodification. It takes as an example the selection of historical feminist art from the Verbund Collection in Austria and, in dialogue with the ideas of the dramaturg André Lepecki and the philosopher Jean-Luc Nancy, concludes that what is left of the performance art is mainly the verb, that is, its concept and the narrative that sustain its brief  "life-in presence".@en
                    [1] => Este texto crítico trata de aspectos gerais da performance no meio das artes visuais, seu processo de objetificação/fossilização e comodificação. Toma como exemplo a seleção de arte feminista histórica da Coleção Verbund, na Áustria e, em diálogo com ideias do dramaturgo André Lepecki e do filósofo Jean-Luc Nancy, conclui que o que resta da performance arte é sobretudo o verbo, isto é, seu conceito e a narrativa que sustentam sua breve “vida-em presença”.@pt
                )

        )

    [4] => stdClass Object
        (
            [author] => Array
                (
                    [0] => Daniela Labra
                )

        )

    [5] => stdClass Object
        (
            [subject] => Array
                (
                    [0] => Performance arte. conceitualismo. feminismo. colecionismo. historicização@pt
                )

        )

    [6] => stdClass Object
        (
            [source] => stdClass Object
                (
                    [vol] => 9
                    [nr] => 18
                    [year] => 2020
                    [theme] => 
                )

        )

    [7] => stdClass Object
        (
            [datePub] => Array
                (
                    [0] => 2020-11-03
                )

        )

    [8] => stdClass Object
        (
            [DOI] => Array
                (
                    [0] => stdClass Object
                        (
                            [type] => DOI
                            [value] => Array
                                (
                                    [0] => 10.26512/museologia.v9i18.34555
                                )

                        )

                )

        )

    [9] => stdClass Object
        (
            [http] => Array
                (
                    [0] => stdClass Object
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                            [type] => HTTP
                            [value] => Array
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                                    [0] => https://periodicos.unb.br/index.php/museologia/article/view/34555
                                )

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                    [1] => stdClass Object
                        (
                            [type] => HTTP
                            [value] => Array
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                                    [0] => https://periodicos.unb.br/index.php/museologia/article/view/34555/27866
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        )

    [10] => stdClass Object
        (
            [language] => Array
                (
                    [0] => pt
                )

        )

    [11] => stdClass Object
        (
            [license] => Array
                (
                    [0] => Copr
                    [1] => http://creativecommons.org/licenses/by-nc-nd/4.0
                )

        )

)