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                    [0] => El motivo de la mujer matadora de hombres en algunos romances: "La Serrana de la Vera" y "La Gallarda"@es
                    [1] => The Motive of the Man-Killing Wornan in Some Romances: "La Serrana de la Vera" and "La Gallarda"@en
                )

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    [3] => stdClass Object
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                    [0] => Con honda raigambre popular, el tema de la "mujer matadora de hombres" tiene dos variantes fundamentales: "La Serrana", rural, silvestre, fuerza desatada de la naturaleza, giganta que atrae a sus víctimas (principalmente pastorcillos) por medio de la música; y "La Gallarda", urbana, un tanto más refinada pero en cambio "satánica", más compleja y que, al igual que "La Serrana", también atrae a los hombres —en este caso no son pastorcillos sino caballeros—, los seduce y después los sacrifica. Ambas tienen antecedentes en la mitología clásica: "La Semana" en el gigante Polifemo de La Odisea, de fuerza descomunal, y "La Gallarda" en la hechicera Circe, también de La Odisea, mujer astuta de inteligencia diabólica. En suma, en estas dos versiones del romancero español los papeles tradicionales de dominio quedan invertidos: la víctima es el hombre y el victimario la mujer.@es
                    [1] => With deep popular roots, the topic of the "man-killing woman" has two basic variants: "La Serrana" is rural, wild, an unleashed force of nature, a giant woman who attracts her victims (mainly shepherds) through music; and "La Gallarda", urban, somewhat more refined but also "satanic", more complex, and just like "La Serrana" attracts men —in this case not shepherds but gentlemen—, seduces them and sacrifices them. Both have antecedents in classic mythology: "La Serrana" is similar to Polyphemus, the one-eyed giant from The Odyssey, of extraordinary strength, and "La Gallarda" to Circe the sorceress, also from The Odyssey, a clever woman of diabolical intelligence. In conclusion, in both of these versions of the Spanish romances, the traditional roles of domination are inverted: the man is the victim and the woman is the victimizer.@en
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                    [0] => Alejandro González Acosta
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                    [vol] => ix
                    [nr] => nueva
                    [year] =>  2004
                    [theme] => 
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                    [0] => 2013-08-23
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