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                            [identifier] => oai:ojs2.awari.pro-metrics.org:article/1
                            [datestamp] => 2023-04-30T14:24:56Z
                            [setSpec] => a:ART
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                                (
                                    [title] => Array
                                        (
                                            [0] => Contemporary art and networks: Analysis of the Venus Project using the UCINET software
                                            [1] => Arte contemporáneo y redes: análisis del Proyecto Venus mediante el software UCINET
                                        )

                                    [creator] => Benito, Patricia V.
                                    [subject] => Array
                                        (
                                            [0] => associativity
                                            [1] => cultural ecology
                                            [2] => experimental economy
                                            [3] => post-crisis
                                            [4] => technology
                                            [5] => asociatividad
                                            [6] => ecología cultural
                                            [7] => economía experimental
                                            [8] => poscrisis
                                            [9] => tecnología
                                        )

                                    [description] => Array
                                        (
                                            [0] => During the first years of the 21st century, the political, economic, and institutional crisis in Argentina, linked to the fall of the convertibility plan; led to the strengthening of associative, collaborative, and community livelihoods (Hintze, 2003; Palomino, 2005; Pastore, 2010). In dialogue with this situation, from the field of visual arts, the Venus Project arises, a network of artists created in Buenos Aires, Argentina. Venus, operated from 2002 to 2006, offers a virtual and analog platform for exchanging services, goods, skills, and/or knowledge between artists and agents interested in cultural consumption and its management. The project aimed to create a micro-community with an experimental authartic economy and its own currency (Pauls, 2002; Sainz and Solaas, 2007; Krochmalny, 2008; Rubinich, 2009; Jacoby, 2011). Throughout its five years, the network had more than 600 members linked through offers and demands. In the present work, the reconstruction of the total network of experience is proposed to identify the flow of exchanges and analyze their effectiveness. Our hypothesis is that it failed to function as an economic device, framed within a collective artistic proposal. In turn, for the survey of our corpus, we use techniques that come from ethnography, data that will be analyzed later from the UCINET software.
                                            [1] => Durante los primeros años del siglo XXI, la crisis política, económica e institucional en Argentina, vinculada a la caída del plan de convertibilidad; condujo al fortalecimiento de modos de subsistencia asociativos, colaborativos y comunitarios (Hintze, 2003; Palomino, 2005; Pastore, 2010). En diálogo con esta coyuntura, desde el campo de las artes visuales, surge el Proyecto Venus, una red de artistas creada en Buenos Aires, Argentina. Venus funcionó entre los años 2002 al 2006, ofreciendo una plataforma virtual y analógica para el intercambio de servicios, bienes, habilidades y/o conocimientos entre artistas y agentes interesados en el consumo cultural y su gestión. El proyecto apuntó a crear una micro-comunidad con una economía experimental autártica y una moneda propia (Pauls, 2002; Sainz y Solaas, 2007; Krochmalny, 2008; Rubinich, 2009; Jacoby, 2011). A lo largo de sus cinco años, la red llegó a tener más de 600 integrantes vinculados a través de ofertas y demandas. En el presente trabajo se propone la reconstrucción de la red total de la experiencia para identificar el flujo de intercambios y analizar su efectividad. Nuestra hipótesis es que el mismo no logró funcionar como un dispositivo económico, enmarcado dentro de una propuesta artística colectiva. A su vez, para el relevamiento de nuestro corpus, utilizamos técnicas que provienen de la etnografía, datos que serán analizados posteriormente a partir del software UCINET.
                                        )

                                    [publisher] => Pro-Metrics
                                    [date] => 2022-11-12
                                    [type] => Array
                                        (
                                            [0] => info:eu-repo/semantics/article
                                            [1] => info:eu-repo/semantics/publishedVersion
                                        )

                                    [format] => application/pdf
                                    [identifier] => Array
                                        (
                                            [0] => https://awari.pro-metrics.org/index.php/a/article/view/1
                                            [1] => 10.47909/awari.166
                                        )

                                    [source] => Array
                                        (
                                            [0] => AWARI; Vol. 3 (2022): AWARI
                                            [1] => 2675-522X
                                        )

                                    [language] => spa
                                    [relation] => https://awari.pro-metrics.org/index.php/a/article/view/1/1
                                    [rights] => Array
                                        (
                                            [0] => Copyright (c) 2022 Patricia V.  Benito
                                            [1] => https://creativecommons.org/licenses/by-nc/4.0
                                        )

                                )

                        )

                )

        )

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